Sign up Latest Topics Chat
 
 
 


Reply
  Author   Comment  
EndersGame

Avatar / Picture

Inner Circle
Registered:
Posts: 391
Reply with quote  #1 
What is Cardistry?

Cardistry can best be described as "the performance art of card flourishing", and it's what happens when you manipulate a deck of playing cards to create a visually pleasing display by cuts, pivots, spins, twirls, and other moves.  If you're new to cardistry, check out this great freestyle cardistry demonstration by Andrei Jikh (link), and an amazing Fontaine Fam video (link).   



While there is a long history of card flourishes having a close connection with card magic, over the last decade cardistry has really developed into its own independent art-form, and is now riding a growing wave of popularity that is completely separate from magic altogether.  There is some cross-over, but the only real thing that cardistry and magic have in common is the tool of choice: a deck of playing cards.  But even that is changing, because recent years have seen a growing number of custom decks being produced purely for cardistry, with attention to visual designs and colours that look great in fans or cuts.  Many of these new decks are altogether unsuitable for card magic or card games, but really do help bring card flourishing to the next level. 


Our digital age means that cardists around the world can easily share videos, and this has really helped cardistry grow and evolve rapidly.  New moves and ideas are constantly emerging, and there's a large number of exciting talent that shares their skills and teaches their moves online on youtube and instagram.  The cardist community is vibrant and active, and in recent years an international cardistry convention has quickly become an annual and important event on the cardistry calendar.  The support of big names like magicians Dan & Dave Buck has contributed to its growing success, and it typically is a meeting point for the world's best cardists and the world's best cardistry decks.

So how can you get started in cardistry, and where should a newbie begin?  This article aims to help get the complete novice going on a journey into this exciting new world, with some tips and suggestions.

[h06sWyU]

Your Deck

1. Use a quality deck that handles well.  Any worker needs good tools to get the job done, and the same is true with cardistry.  You will see lots of videos with flashy decks, and we'll get to talking about those in a moment.  But the most important thing you need is a quality deck that handles well.  You can always improve the looks later, but as a beginner, what's most important is good handling.  Don't use an inferior knock-off deck from a dollar store, because the cards won't slide smoothly and consistently, and it will only cause frustration and disappointment.  The next points on this list will help you identify what kind of deck you should get.

2. Use an embossed (air cushion) deck.  Cheap doesn't always mean bad, because you can buy quality decks at a relatively low price.  But you want to avoid cheap and nasty decks that are touristy souvenirs, or budget items from a dollar store or corner shop.  Playing cards are made out of paper, and what you want is paper that has embossing.  This means that it has tiny bumps with little air pockets between them, which will make your cards flow smoothly and evenly over each other - essential.  Playing cards with a completely smooth finish won't fan or spread evenly, and their handling will be very inconsistent.  Most quality playing cards will be embossed with an air cushion style finish.

3. Use a Poker sized deck. A lot of souvenir decks are bridge sized, and these are also the type of cards many people will have in their home.   But they're called bridge sized cards for a reason.  It's because they have been optimized for the traditional card game of bridge, which requires players to hold a hand of 13 cards.  As a result, bridge cards are narrower than Poker sized cards.  While you can do cardistry with bridge sized cards, it is much better to do card flourishes with wider Poker sized cards.  These larger width cards will handle more consistently and allow you to do things that you simply can't do with bridge sized cards.

4. Use a Bicycle deck.  The best place for a beginner to start is with a standard Bicycle rider-back deck produced by the United States Playing Card Company (USPCC).  Alternatively get a Tally Ho Fan back deck, which is also produced by USPCC, handles exactly the same, and is a top choice for many cardists.  These decks meet all the above criteria, and will handle just beautifully, without breaking the bank.  The only real difference between these decks and the fancier higher end cardistry decks is the artwork on the cards, more exotic tuck boxes, and sometimes the brand name.  But there's no need for you to start learning with a higher end  expensive deck that only differs in looks. If you are just looking to explore card flourishing, almost any Bicycle deck will do just fine.  Even many experienced cardists will save their expensive decks for special occasions, and practice with a Bicycle or Tally Ho deck.   A standard Bicycle rider-back deck will typically only cost a few bucks, and handles just as well as any customized deck designed purely for cardistry.

6. Use a newer deck.  You don't need to have a brand new deck to do cardistry.  In fact some cardistry moves (e.g. cuts) will actually be slightly easier that a deck that has been worn in slightly, and where the cards aren't too slippery.  But you should avoid using a deck that is completely worn, because an old, tattered, and miserable looking deck is just going to make your life as a cardist a whole lot harder.  The cards won't handle consistently, and instead of sliding over each other smoothly and evenly, they'll catch or clump together.  Do expect your cards to wear out over time, and that's the reason many cardists buy decks in "bricks" (a dozen at a time).  For cuts and combos you'll usually want something a little more worn, but newer decks will make things like faro shuffles and fans easier and more even.

6. Look after your deck.  There's no point in throwing money away by being especially hard on a deck.  Some basic rules about deck care will go a long way to ensuring that your playing cards go the distance.  Some important tips include the following:  Make sure you have clean and dry hands.  Practice over a soft surface like carpet rather than over cement or the outdoors, which will cause cards to get bent and dirty.  Avoid moisture and humidity, and don't leave your deck lying in the sun.  Bend the cards both ways, and if they get warped put them under some heavy books or in a card clip.

7. Optional: Use a cardistry deck: Certainly you can buy specialized decks of playing cards that particularly lend themselves well to cardistry.  One of the most well-known cardistry decks is the Virtuoso deck, which was the first deck created specifically for cardistry, and has come out in several versions.  Decks like these have a visual design that automatically makes some of your basic moves look amazing. This can make the whole cardistry experience more enjoyable, and will help motivate you to stretch yourself and try new moves.

[NgKEuwQ]

Your Teachers

Social media and digital technology has not only helped cardistry to evolve and grow rapidly, but it also helps connect you with some great teachers online.  A wide range of excellent instructional materials is readily available online.  There are premium videos you can pay for, but there's more than enough free videos that will get you started, and using this material will give you a head-start in your new cardistry career.  Here are some great resources that I'd suggest you begin with.

1. [link] Cardistry Basics by Chris Ramsay. Chris Ramsay is a respected magician and cardist who has over a million subscribers on his youtube channel.  In this video he teaches three very basic moves that are a great place to begin your cardistry journey: the swing cut, swivel cut, and rotation cut.  You'll master the swing cut and swivel cut in no time, and be well on your way to enjoying cardistry!  Chris also has several other great videos worth checking out, including his cardistry tips for beginners (link). And don't miss one of the famous Buck twins who appears as a guest to teach a beginner tutorial on how to do the WERM (link). 

2. [link] Recommended Path of Moves by Reddit Cardistry. The cardistry community on Reddit has put together a very helpful "Resource and Beginners Guide", which includes a list of common core moves that are arguably the best place to start with.  These moves are often key components of more complex flourishes, and represent an ideal place to begin learning.  In their "Recommended Path" section, they offer a list to all these elementary flourishes, along with direct links to several video tutorials for each move. These moves include key flourishes that you'll almost certainly want to learn and enjoy, like the Spring, Charlier Cut, and Five Faces of Sybil.

3. [link] Cardistry Tutorials by School of Cardistry. The School of Cardistry channel on youtube was started in 2013 by cardistry team New Deck Order.  With professionally produced tutorials, it was designed to function as a centralized and structured platform for complete beginners to pick up the art of cardistry.  It has over 100,000 subscribers and millions of views, and is a fantastic place for those new to cardistry to start.  The School of Cardistry will give you the ability to start with the basics, and naturally progress to more advanced moves. Their progressive system of learning ensures a systematic approach in which you can build up skills, with the benefit of videos that are short and yet have clear verbal instructions.  Start with the video that gives an overview of the basic moves they can teach you (this video).

4. [link] Cardistry Bootcamp Basics by Lotusinhand. This is a newer channel, but in the last year they have produced an excellent set of introductory tutorials which they have entitled Cardistry Bootcamp - Basics.    These tutorials cover all the essentials you need to start with, like basic grips, cuts (Charlier Cut, Swing Cut, Hot Shot Cut), shuffles (Riffle Shuffle, Faro Shuffle), and fun moves like the Spring, Cascade, Waterfall, and many more.

5. [link] Learn the Classics by Fontaine Cards. Fontaine is the brand and online home of famous cardist Zach Mueller, who is easily one of the biggest names in cardistry.  In the "Learn The Classics" section of his website, Zach offers free tutorials that cover the basic grips in cardistry, as well as elementary moves like the One Card Twirl, Pirouette, Swing Cut, Charlier Cut, Thumb Fan, One Handed Fan, Spring, Dribble, and Waterfall.

Next steps? Many of the above channels will take you beyond the basics, especially the School of Cardistry, which also offers instruction for many intermediate flourishes.  But if you do want to learn more, you might want to check out some of the excellent tutorials from Virtuoso (link) and dealersgrip (link).  Some of the tutorials from 52Kards (link) are also worth a look.  And if you are really serious about diving further into your cardistry, head to the giant list of cardistry moves and tutorials that was created by cardistry enthusiasts on Reddit (link).

[Fuf5eBz]

Your Attitude

1. Feel welcome.  Watching the highly skilled performances of experts can be very motivating, but it can also be somewhat daunting and intimidating.  Don't let this dampen your enthusiasm, or make you think that cardistry is only for the elite or for professionals.   Card flourishing is an art-form that is well within the reach of beginners, because all you need to try it is a good deck of cards. From there you are limited only by your imagination, creativity, and manual dexterity. Learning some basic cardistry moves is really not very difficult, and can be very rewarding and enjoyable.

2. Master the basics.  It's a good idea to learn some basic swing cuts and swivel cuts, because these will get you familiar with rotations that are foundational to a lot of other cardistry.  The Five Faces of Sybil or the Sybil Cut is another good move to learn early in the piece, because it also offers a lot of possibilities.  Other moves you'll have fun learning include the Charlier Cut, Revolution Cut, Spring, and WERM.

3. Have a graduated approach.  Don't start with moves that are too difficult.  Many card moves are built on other moves as a basis, so it makes sense to have a graduated approach to your learning, by mastering some of the foundational moves that more difficult flourishes are based on, and working upwards from that.  Some of the channels that offer systematic learning materials will structure their tutorials along a path, and even list basic moves that are prerequisites to their more advanced flourishes.

4. Learn what you like.  There's no rules for what cardists must or must not do.  It's an art form, much like music or dance, so that means that you have complete freedom to explore whatever suits your taste.  Some people like cuts while others prefer isolations, and there's many other styles and areas of interest.  By all means stick to what you prefer and what interests you.

5. Practice often.  Cardistry is a skill that anyone can learn, but it does require practice.  It's an exercise in manipulating your fingers and working your muscle memory.  Some moves will seem awkward at first, but with practice, they'll become second nature, and you'll surprise yourself how easy something will become over time, even though it initially seemed completely impossible!  There's lots of times where you can practice - when you're watching TV or a movie, or waiting around for a friend.  So get used to carrying around a deck with you and filling in those empty gaps where you're just killing time with some card moves.

6. Focus on being smooth, not fast.  Good card flourishing is all about flow and smoothness.  Rather than rush through your flourishes, really make an effort to perform your moves smoothly and cleanly.

7. Wait with creating moves.  It can be tempting to want to create your own moves and flourishes.  This can be part of the fun of cardistry, but isn't something you should be doing too early in your journey into cardistry.  First get yourself familiar with some of the existing and basic flourishes out there.  Knowing the basics and having a mastery of the more well known intermediate cuts and flourishes will only put you in a better position to create your own moves later.

8. Don't give up.  If something isn't working, or if you're getting frustrated, just put your cards away for a bit, and come back to it later.  Sometimes moves can be very knacky and seem impossible to master, and if something isn't working for you, just leave it for now.  That's okay - you won't conquer Mount Everest on your first attempt! 

9. Ask for help.  If you're getting stuck with learning something, don't be afraid to ask for help.  The best way to get help is to have another cardist walk you through a move in person.  For most people that's not realistic, so go ahead and post in a cardistry forum and ask for some tips.  You'll find that most cardists are only too happy to help others and give good advice.

10. Have fun.  Cardistry is all about having fun with cards, so if you're not having fun, move onto something else that you do enjoy.

[lG0V4kN]

Other Ideas

1. Learn the language.  Cardistry does have its own language, although it's something you'll learn very quickly as you immerse yourself in cardistry tutorials and videos.  Words like cuts and packets are ones you'll pick up soon enough, whereas terms like poop deck and squids will be a little less obvious.

2. Use social media.  Social media is one of the biggest ways that cardists connect in our digital age.  Instagram is one of the top sites for cardists to share videos of moves.  Following some of your favourite cardists can be a terrific way to keep yourself fresh, get new ideas, and see what others are doing.  Lots of cardists also share their work on youtube, and several channels are especially dedicated to teaching tutorials and moves.

3. Join an online community. You'll find plenty of places online where cardists hang out to exchange ideas, talk about their favourite decks, or share videos of their latest moves and accomplishments.  A great place to start is the cardistry community over on Reddit (link), which has around 50,000 subscribers, and is growing rapidly.

[TYR96y9]

Want to give cardistry a whirl - literally?  Why not treat yourself to a nice cardistry deck, and give cardistry a go for yourself?  The Virtuoso FW17 deck created by The Virts is an ideal place to begin your search for a high end cardistry deck.  But you will find many other creative and colourful decks that are ideal for cardistry by checking the range of cardistry decks here.

[HdrY6kQ]

Author's note: I first published this article at PlayingCardDecks.com here.

__________________
BoardGameGeek reviewer EndersGame  Playing Card Reviews  Magic Reviews  Board Game Reviews 

[nTzBCzo]

0
Harry Lorayne

Avatar / Picture

Honored Member
Registered:
Posts: 2,376
Reply with quote  #2 

   Excellent.  And then - and also - START READING THE GOOD STUFF!!  (So much of which I've written and DVD'd for you.)

0
RayJ

Avatar / Picture

Honored Member
Registered:
Posts: 4,006
Reply with quote  #3 
Cardistry is a very interesting community.  I was fortunate to have witnessed Chris Kenner perform Sybil before it had a name.  Chris did a lot of "fancy moves" back when we were teens.  I still remember seeing T.G. Murphy and his Mid-Air Triple Cut back in the late 70s.  Murphy lived in St. Louis at that time but I seem to remember him moving to Chicago?  Wonder if anyone knows if he is still involved in magic?  He did write and publish a book called Imagication, which details many of his unique moves and effects.  I think it might be available on Lybrary.com.

When Dan and Dave broke onto the scene things really took off.  However their first major performance got "interesting" reviews.  Consider this one...excerpted from Wikipedia.

In 2001, twin brothers and Sybil enthusiast Daniel and David Buck (known as Dan and Dave) released Pasteboard Animations, another flourish-only instructional VHS tape.[1] Although produced as a low-fi home video and relatively short compared to Show Off, it sold hundreds of copies at hotel lobbies and magic conventions at a cost of $25.[1] In a Genii magazine review of the Magic Live convention in August 2001, the twins flourishes and Pasteboard Animations tape received mixed responses.[1] Renowned magic historian Jamy Ian Swiss remarked:

"It was an excellent show, though opinion was definitely mixed about the Buck boys, who sat and stared at their hands while oddly racing through flourishes. It serves no function except as eye candy. It's juggling, and juggling and magic are two separate things. Nevertheless, it's xxxxing cool to watch. Cool is cool is cool, capital C cool. And magic is traditionally uncool. It's always been the geeky kids."[1]

In spite of the mixed responses from the traditional magic scene, Dan and Dave continued with their cardistry creations.[3] In 2004, with the help of Kenner, the twins released an instructional DVD on cardistry named The Dan and Dave System.[3][11] The System is perceived as having officially separated advanced card flourishing from card magic and defined the style of cardistry.[1][3][6] Filmed with digital movie cameras at film studios and professional edited, the critically praised $30 DVD inspired thousands of sleight of hand artists all over the world to embark on cardistry.[1] Four years later, the twins released a three-disc DVD set known as The Trilogy, showcasing some of the most comprehensive and difficult flourishes ever created.[1] Retailing at $85 per copy, The Trilogy is the bestselling cardistry release of all time, having sold more than 25,000 units.[1] Pang wrote that just about every cardist lists either the System or The Trilogy as the reason they got into card flourishing.[1]

Note:  I edited out a curse word in Swiss's review as it might be offensive.

0
Senor Fabuloso

Inner Circle
Registered:
Posts: 285
Reply with quote  #4 
Cardistry as presented in these posts and not to disparage anyone, seems to be akin to juggling.

Nothing wrong with it, only that not only isn't it magic but goes against everything we try to do with our card work.

The goal of our card magic is to make our moves as natural as possible making the work, unnoticeable. Performing flourishes before, during or after performing card magic, will "tell" our spectators that we are accomplish card men, capable of deceiving them.

Again nothing wrong with that, if that's the goal? But if what we want to is to give the impression that what we do, we are able to do via "gifts" then displays of skill, should be avoided.

I'm probably talking more to mentalist than anybody else on the board but I'm sure I'm preaching to the choir? Remember we not presenting puzzles to be figured out or juggling. We are presenting mystical manifestations that can reach the soul of humanity in ways, no other type of performer can.

Or at least that's, what I try to do.

__________________
Ideological bigotry, has no place in an atmosphere of creative thinkers. Only limited individuals, suffer from this affliction. They matter not but pose serious threats, to others. BEWARE!
0
EndersGame

Avatar / Picture

Inner Circle
Registered:
Posts: 391
Reply with quote  #5 
Senor Fabuloso, I largely agree with your comments.  Cardistry is indeed a form of "card juggling", and as such I consider it a separate art-form from card magic. 

Flourishing has always had some role in magic, but usually as a servant, not as a master.  But today card flourishing has become an independent performance art of its own, even though its historical roots lie in card magic, and it use the same tools: playing cards. 

Personally I love card magic, and I also love doing cardistry.  But I usually keep the two quite separate, and don't do any fancy cardistry moves when I'm performing card tricks. 

Nonetheless, given that both involve playing cards, it shouldn't come as a surprise that many magicians also do love doing cardistry, with big names like Dan & Dave Buck and Chris Ramsay being well-known examples.  For this reason most forums on card magic or on playing cards do have sub-forums devoted to card flourishing and cardistry.

__________________
BoardGameGeek reviewer EndersGame  Playing Card Reviews  Magic Reviews  Board Game Reviews 

[nTzBCzo]

0
TheAmazingStanley

Inner Circle
Registered:
Posts: 246
Reply with quote  #6 
Hey, to resurrect this discussion, I love cardistry. I could watch it all day long. Call it juggling, flourishing, whatever, I find It beautiful and captivating. And incredibly difficult. I wondered if there are any cardistry moves that can be applied to magic, not just to add some showing off but as an integral part of the sleight of hand. One obvious example is the common fan. Fans are used to control cards or in ambitious card routines. They look cool for sure but they serve a specific function in the trick as well. So are there any other cardistry moves that magicians use for more than eye candy?
__________________
When you come to a fork in the road, take it!
0
Matt G

Inner Circle
Registered:
Posts: 149
Reply with quote  #7 
Quote:
Originally Posted by TheAmazingStanley
Hey, to resurrect this discussion, I love cardistry. I could watch it all day long. Call it juggling, flourishing, whatever, I find It beautiful and captivating. And incredibly difficult. I wondered if there are any cardistry moves that can be applied to magic, not just to add some showing off but as an integral part of the sleight of hand. One obvious example is the common fan. Fans are used to control cards or in ambitious card routines. They look cool for sure but they serve a specific function in the trick as well. So are there any other cardistry moves that magicians use for more than eye candy?
In my opinion, it's a bit of a double-edged sword. It totally depends on your performance style, but in my humble opinion, "fancy movies" can often detract from the magical experience -- because, if they know you can do all sorts of crazy card manipulations, then naturally, it follows that you're not doing any magic, you're just doing crazy card manipulations.

However, if you are doing some "showy" stuff, or have a presentation when you can tell them "I am about to do something -- watch, as I do it", then good flourishing skills can be very helpful.

Here's a short list of flourishes that I perform regularly, in the context of routines:
* Daryl's Hot Shot Cut -- a cool way to shoot a card out of the "middle" of the deck (really, the bottom). This requires you to know one-handed cuts like a revolution cut or scissors cut. A nice reveal for a pick-a-card trick where it ends up on bottom (for example if you use the Convincing Control).
* Lennart Green's Top Shot -- shoot the top card of the deck. A nice reveal for a pick-a-card trick where it ends up on top. I remember Robbie Moreland also taught us an awesome full routine in his TMF Live 1 session, where he used the Top Shot Cut to produce "C4" (the 4 of clubs). 
* Card Springs -- just kind of look cool and casual, can be nice to do after some false shuffles/cuts. Also a pre-requisite for a pressure fan, which is required for Asi Wind's awesome effect Double Exposure (and I'm sure many others).
* Faro Shuffle with the Cascade Finish -- I used to perform Unshuffled with standard bikes just like Paul Gertner, but recently I switched over to using "cardistry" cards (https://hunkydory-cards.com/products/tessellatus I bought a handful of these, since they Faro great out of the box and were free with just shipping for a while, ended up with ~8 of them for 30 bucks). And I added the cascade flourish to this routine. The people I've shown seem to enjoy the cascade part of it, because most haven't seen it anyways. This is kind of a a "card juggling" routine anyways -- "Watch as I unshuffle the cards", "look, they really do get unshuffled" -- so I think it works in the context.
* Sybil Cut -- Just one of my favorite false cuts, totally disarming and looks kind of cool. But I only do it in other routines that I tell people I am about to manipulate the cards (ie: Unshuffled). 

And nice ribbon spreads, in-the-hands spreads, and fanning skills I think can make your performance feel a lot "smoother" and "inviting" imo. However others disagree -- for example Gracie Morgan taught us that she spreads in a chaotic manner when having spectators select a card, because it makes her cull a lot more natural whenever she performs it. So I guess what I'm really trying to say is that you need to find the techniques that work for you because everybody has a different style and flair!
0
RayJ

Avatar / Picture

Honored Member
Registered:
Posts: 4,006
Reply with quote  #8 
Just wanted to add something to the discussion.  It's been a while since I read the whole thread but one thing I wanted to point out is that cardistry can be helpful in overcoming discomfort with handling cards.  I've made this point in some other conversations but when I watch some magicians on video it is clear to me that they just aren't comfortable handling cards.  They hold them like they are afraid of hurting them or something.  Hard to describe what I mean, but I know it when I see it.  

Playing with cards until they seem to be an extension of your hand is something to aspire to and I think learning some cardistry moves can help you attain that comfort level.  So even if you never "show off" your moves, you can use them in order to heighten you general card handling skills.  Think of it like a batter in baseball using two bats, or adding weights to the bat.  If you can get comfortable performing complex cardistry moves, that double lift has got to seem less scary, yes?
0
EndersGame

Avatar / Picture

Inner Circle
Registered:
Posts: 391
Reply with quote  #9 
Ray makes an excellent point about cards being an extension of your hand, and needing to feel completely comfortable handling them.  It reminds me of what Roberto Giobbi shared in an interview about handling playing cards:

Why do your refer to playing cards as your "instrument"?

Rather than calling playing cards a prop, as it is often done in the technical literature, I would like to consider them to be an instrument of the card conjurer, like the piano or the violin is an instrument to a musician, and I would even dare saying that cards are the most important and most widely used instrument in all of conjuring.

The more you know about your instrument, the more sensitively you will handle it and the more expressively you will master it, making it an extension of who you are. 

What should we consider in terms of our hands when handling playing cards?

German philosopher Karl Jaspers once remarked, "The hand is the extension of the mind", and Andreas Tenzer maintained, "The hand is the extended arm of the heart." To this I would add that the instrument, in our case a deck of cards, is the extension of the hand. To stay with this analogy: mind, heart and hand are the “artistic trinity”, which through the use of an instrument can create amazing experiences for a small or large group of people, if led by a skilled and inspired individual.

Together with the cards as your instrument, your hands are the most important tools that actually determine the success of the magic you are going to perform. And any work of art is generally only as good as the tools employed to create it. In any case, you can only expect the best results if you care for them properly. The coordination between your thoughts and the movement of your hands is also extremely important.

Source: https://playingcarddecks.com/blogs/all-in/q-a-with-card-handling-expert-roberto-giobbi

Giobbi also has some great things to say in that same interview about the place of card flourishes in card magic.  Look under the heading "Card Flourishes" towards the end of the interview, where he addresses the questions "Should magicians perform card flourishes?" and "What simple card flourishes should beginners learn?"

__________________
BoardGameGeek reviewer EndersGame  Playing Card Reviews  Magic Reviews  Board Game Reviews 

[nTzBCzo]

0
RayJ

Avatar / Picture

Honored Member
Registered:
Posts: 4,006
Reply with quote  #10 
Quote:
Originally Posted by EndersGame
Ray makes an excellent point about cards being an extension of your hand, and needing to feel completely comfortable handling them.  It reminds me of what Roberto Giobbi shared in an interview about handling playing cards:

Why do your refer to playing cards as your "instrument"?

Rather than calling playing cards a prop, as it is often done in the technical literature, I would like to consider them to be an instrument of the card conjurer, like the piano or the violin is an instrument to a musician, and I would even dare saying that cards are the most important and most widely used instrument in all of conjuring.

The more you know about your instrument, the more sensitively you will handle it and the more expressively you will master it, making it an extension of who you are. 

What should we consider in terms of our hands when handling playing cards?

German philosopher Karl Jaspers once remarked, "The hand is the extension of the mind", and Andreas Tenzer maintained, "The hand is the extended arm of the heart." To this I would add that the instrument, in our case a deck of cards, is the extension of the hand. To stay with this analogy: mind, heart and hand are the “artistic trinity”, which through the use of an instrument can create amazing experiences for a small or large group of people, if led by a skilled and inspired individual.

Together with the cards as your instrument, your hands are the most important tools that actually determine the success of the magic you are going to perform. And any work of art is generally only as good as the tools employed to create it. In any case, you can only expect the best results if you care for them properly. The coordination between your thoughts and the movement of your hands is also extremely important.

Source: https://playingcarddecks.com/blogs/all-in/q-a-with-card-handling-expert-roberto-giobbi

Giobbi also has some great things to say in that same interview about the place of card flourishes in card magic.  Look under the heading "Card Flourishes" towards the end of the interview, where he addresses the questions "Should magicians perform card flourishes?" and "What simple card flourishes should beginners learn?"


I recommend that everyone read EndersGame's complete article with Giobbi.  It is excellent.
0
Previous Topic | Next Topic
Print
Reply

Quick Navigation:

Easily create a Forum Website with Website Toolbox.